New number received from: ANALES GALDOSIANOS (Year XLVI 2011)
Summary of this issue:
STUDIES
*Phalansteries, panoptic and Goyesque monsters: unfinished spaces and individuals in The Family of León Roch. Alvaro Ayo
*Pardo Bazán's literary use of three unniquely personal nicknames: Gideón, Suriña, Feíta. Vernon A Chamberlin
*The molyneux problem in Galdó's Marianela. michael gomez
*"In that sublime hour": Ana Ozores or the aesthetic-religious transcendence in La Regenta. Brais D. Outes-Leon
*On the "infallibility" of Barbarita Arnaiz. Senen Manuel Vivero
DOCUMENTS
*A forgotten obituary of Galdós. Jose Luis Campal Fernandez
*The Tormento sketches: secrets and surprises from the original manuscript surrounding the Galdosian creative process. michael schnepf
REVIEWS
* Girona. Episodi Nacional i drama en quatre actes by Benito Pérez Galdós, edited and translated by Pau Miret. Genis Barnosell
*The narrative art of Galdós: The forbidden, by Senén Manuel Vivero. J. Bottaro
*National Episodes by Benito Pérez Galdós, edition by Dolores Troncoso with the cooperation of Salvador García Castañeda and Carmen Luna. Rodolfo Cardona
*Verba manent. Literary studies and essays, by Sergio Beser. Isabel Maria Castro Zapata
*Jornaleros de la pluma: The (re)definition of the role of the writer-journalist in Madrid Cómica magazine, by Margo Versteeg. Vernon A Chamberlin
*Pedro Antonio de Alarcón (Press, politics, thesis novel), by Ignacio Javier López. Ramon Espejo-Saavedra Lopez
*Benito Pérez Galdós in Mexican Cinema: Literature and Cinema, by John H. Sinnigen. Alrick C. Knight, Jr.
*Fortunata and Jacinta by Benito Pérez Galdós, edition by James Whiston. Alan E Smith
*Sacred realism: religion and imagination in modern Spanish narrative, by Noël Valis. Linda M Willem
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