New number received from: RILCE: Magazine of Hispanic Philology (vol. 26.2. 2010)
Summary of this issue:
MONOGRAPHIC: Lope's “new art” and the dramatic precepts of the Golden Age: Theory and practice. J. Enrique Duarte, Carlos Mata Indurain, ed.
PRESENTATION
*The tragic and the comic mixed: of mixtures and mixtures in the theater of the Golden Age. Ignacio Arellano
*Lope and his audiences: strategies for success. Jose Maria Diez Borque
*Mandatory and theatrical practice: The Duchess of Amalfi's Butler, a palace tragedy by Lope de Vega. Teresa Ferrer Valdes
*The comedies of Sor Juana Inés de la Cruz and the New art by Lope de Vega. Celsa Carmen Garcia Valdes
*The new art of comedy, undecidable text. Miguel Angel Garrido Gallardo
*Lope de Vega, between Antonio Machado and Juan de Mairena, with the New art background. Carlos Mata Indurain
*From Rueda to Vega: the game is between Lopes. Joan Oleza
* Lope's art in the Spanish scene of the XNUMXth century. Cesar Olive
* Lope de Vega: writings on theater. From the poet to the reader. Felipe B. Pedraza Jimenez
*New art, 240-45. Lope against Lope. Javier Rubiera
*Lope de Vega and the transposition of myths: the beautiful aurora. Enrique Rull
*“The use of Spain does not admit the rustic Bucolic of Theocritus”: the Thirteen part comedies and New art. William Seres
*A new art of undoing comedies? Over some self-comments in Lope's theater. Frederic Serralta
*The New art as well as the Hamburg Playwright: the dramaturgical manifestos of Lope and Lessing. Kurt Spang
*Role of painting and mythology in The removal of Florence. Ana Suarez Miramon
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