New number received from: ANNALS OF CONTEMPORARY SPANISH LITERATURE (vol. 37 nº2. 2012)
Summary of this issue:
CONTENT / CONTENT
*The validity of the theatrical discourses of exile: political commitment and renewal of expressive languages. Manuel Aznar Soler and Francisca Vilches-de Frutos
*María Martínez Sierra, translator: a reading of contemporary theater. Juan Aguilera Tailor.
*Logos & eros: reason & passion. go to a star by Castor Narvarte. Jose angel Ascunce Arrieta.
*Art, history and commitment in Spinners by Jose Martin Elizondo. Veronica Azcue.
*Ricardo Doménech and the theater of Alejandro Casona: brief history of a controversy. Manuel Aznar Soler.
*A dramaturgy “in-translation”: the theater of José García Lora. Helena Buffer
*Miguel Prieto and the scene in Mexican exile. Miguel Cabañas Bravo.
* The premiere of La casa de Bernarda Alba in the Argentine press of the time. Nel Diago.
*Ovejuna Fountain In America. The classical repertoire in the theater of exile. Fernando Domenech Rico.
*The reception of Alejandro Casona's work in France: new data. Antonio Fernandez Insuela.
*The reasons for Catalan theater in exile. Francesc Foguet i Boreu.
*Identity, history and exile: Don't lose your mind or Dr. Guillotin's concerns, by Jose Ricardo Morales. Luis Garcia-Manso.
*Maria Teresa Leon: about The story of my heart. Maria Teresa Gonzalez de Garay.
*Visions of conquest in the theater of exile: The return of Quetzalcoatl. the aztec epic by Alvaro Custodio and The great flea market by Jose Maria Camps. Jose-Ramon Lopez Garcia.
*A theatrical exile in Switzerland. José Herrera Petere and the Carouge theater. Mario Martin Gijon.
* The dance that painted exile. Set designers in Paris. Idoia Murga Castro.
*Female images between two times in the theater of an exiled writer: Mrs. Florentina and her love Homer, by Mercè Rodoreda. Pilar Snow-of Peace.
*The difficult viability of the performance practice of exile. Cesar Olive.
*An unknown dramatic version and a forgotten premiere of León Felipe: Don't burn the lady. Jose Paulino Ayuso.
*Different experiences in the stage design of exile: Alberto Sánchez, Miguel Prieto and Antoni Clavé. Rosa Peralta Gilabert.
*Bergamin, Catholic playwright. Maria Teresa Santa Maria Fernandez.
*Voices of life and death: the sound space in the work of Carlota O´neill. Serrano Virtues.
*Exile through myths: Dream and truth of Francisco de Goya, by Maria Teresa Leon. Francisca Vilches-de Frutos.
CRITICAL PERSPECTIVES: INFINITE HORIZONS
* Estrangement: a political commitment. Jose Monleon.
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