To celebrate Women's History Month, we're screening a series of Hollywood classics edited by women.
How many times have we heard that a film is really created on the editing table? How many times do you praise the editing, the transitions and the rhythm of the scenes? However, the figure behind this work does not receive the attention that directors or producers receive, much less movie stars. As a consequence, few people know that there have been a large number of women who have made essential contributions to the art of montage.
The presence of women in the field of editing has existed since cinema itself has existed and continues to this day. Hugely talented women have cut, pasted and shaped many of Hollywood's classic cinematic masterpieces, from westerns to musicals to film noirs to sitcoms. This film series seeks to offer a small sample of this fascinating history.
Before each screening, there will be a brief introduction to place each film in its specific context and delve into the biography of the editor who edited it. Projection in original version (English) with subtitles in Spanish.
Third session: Wednesday, March 14 at 19:XNUMX p.m.
Naked eva (All About Eve, 1950, Josheph L. Mankiewicz) edited by Barbara McLean
Complete cycle: Publishers who defined the classic Hollywood style
First session: Thursday, March 1 at 19:XNUMX p.m.
To be or not to be (To be or not to be, 1942, Ernst Lubitsch) edited by Dorothy Spencer
Second session: Wednesday, March 7 at 19:XNUMX p.m.
the lady from shanghai (The Lady From Shanghai, 1947, Orson Welles) edited by Viola Lawrence
Third session: Wednesday, March 14 at 19:XNUMX p.m.
Naked eva (All About Eve, 1950, Josheph L. Mankiewicz) edited by Barbara McLean
Fourth session: Wednesday, March 21 at 19:XNUMX p.m.
Singing under the rain (Singin' in the Rain, 1952 Stanley Donen and Gene Kelly) edited by Adrienne Fazan
Fifth session: Wednesday, April 4 at 19:XNUMX p.m.
Bonnie and Clyde (Bonnie and Clyde, 1967, Arthur Penn) edited by Dede Allen
Cycle curator: Sibley Labandeira
Cultural manager, expert in cinema and doctor in Humanities from the Carlos III University of Madrid. his thesis From Waste to Worth: Recycling Moving Images as a Means for Historical Inquiry focuses on the notion of the moving image as a critical thinking tool, specifically in cases that use historical events and their audiovisual records.
As a cultural manager, she has developed and produced various programs and events for institutions such as Medialab-Prado and ARCO. She coordinated the Retiro Experimenta citizen laboratory, part of the pioneering Experimenta Distrito program, in collaboration with the Madrid City Council. As an independent curator she was responsible for the exhibition Kill the father. He has published articles in specialized journals and has participated in conferences organized by institutions such as APME, CENDEAC, the Julio Caro Baroja Institute of Historiography and the Carlos III University of Madrid.
He is currently a member of the Research Group, financed by the Ministry of Education, Subjects, emotions and structures. For a critical social theory project, from the Department of Humanities: Philosophy, Language and Literary Theory of the Carlos III University of Madrid.
