Art has always been a force for change — a tool of resistance, a rallying cry, and a way for communities to imagine something better. This course explores that power through an alternative history of American art centered on activists, outsiders, and visionaries.
Across eight sessions, we’ll look at how artists have shaped movements from abolition and labor organizing to civil rights, feminism, AIDS activism, and today’s community‑based practices. No art history background needed — just curiosity and a willingness to look closely.
Inspired by Nicolas Lampert’s A People’s Art History of the United States and Tom Finkelpearl’s What We Made, each session blends discussion, visual exploration, and collaborative activities to show how art becomes a catalyst for justice.
What role has art played in the fight for justice? More than portraiture or landscapes, art has long been a weapon, a rallying cry, and a form of community building — and this course tells that story.
Over eight sessions, we’ll trace an alternative history of American art: one that centers artist activists, outsiders, and visionaries rather than galleries and art markets. From anti-slavery imagery and labor movements to civil rights, feminism, AIDS activism, and today’s community-based art practices, we’ll explore how artists have challenged power, imagined change, and given movements their visual voice.
No previous knowledge of art history is needed — just curiosity and a willingness to look closely and think critically.
Drawing on two landmark books — Nicolas Lampert’s A People’s Art History of the United States and Tom Finkelpearl’s What We Made: Conversations on Art and Social Cooperation — each session combines discussion, visual analysis, and collaborative activities.

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