Summary of this issue: ARTICLES *Archival poetics: questions of evidence in reconstructions of judeo-spanish culture. Eleazar Gutwirth *On the causes and editorial strategies of a translation: The life of Sant Vicente Ferrer (1589). Tomàs Martínez Romero *The novellas of republican intellectual Ángeles López de Ayala (Seville 1856-Madrid 1926). Christine Arkinstall *Form domestic angels to girl
Summary of this number: ARTICLES *”More avremos adelant”: Minaya Álvar Fáñez and the heroic vision in the Cantar de Mio Cid. Geraldine Hazbun *Subtle mathematics or the limits of knowledge in Life is a dream. Brian Brewer *A Little Proletarian Hollywood: Anarcho-Syndicalist Cinema During the Spanish Revolution (Barcelona, 1936-1937). Santiago Juan-Navarro *Narrative structure
Summary of this issue: ARTICLES *From Pelayo to Belay: the battle of Covadonga according to Arab historians. David Arbesú *Saints who make themselves sick: a note on Teresa de Jesús and the so-called placebo effect. Michael P. McGlynn *Prudence, sincerity and the body's betrayal of the dissimulated self in Cervantes' La Señora Cornelia. Ryan Schmitz
Summary of this issue: ARTICLES *”Because listening to them grow hearts”: Chivalry and the power of stories in Alfonso X and Ramon Llull. Emily S. Beck *Elizabeth I of England as mercurian monarch in Miguel de Cervantes' The English Spanish. Rosa Maria Stoops *Singing in a choir: social poetry in Gerardo's critical prose
Summary of this issue: ARTICLES *From Margins to the centre: Libidinous imagery in MS. 2653 of the Palace Songbook. Ana Isabel Montero *Don Quixote: some observations on the creation and evolution of its protagonist and on its novelistic structures. Stanislav Zimic *Surveying the nation in Galdós' Angel Guerra. Liana Ewald *Rewriting the past in
Summary of this issue: ARTICLES *The Politics of Bohemia and the Thirty Years' War on the Spanish Baroque Stage. Henry W. Sullivan *The Making of a Delinquent: Mariano Rufete in Galdós' La desheredada. Geoffrey Ribans *The 'I' as a project: Ortega and the identity of the beloved in the proem of La voz a ti due,
Summary of this issue: ARTICLES *Introduction, Madness in sixteenth- and Seventeenth-Century Spain: New Approaches. Elena Carrera *Melancholy and inspiration in the Spain of the Golden Age. Christine Orobitg *The triumph of madness: moral discourse and allegory in Modern Spain. María Tausiet * Inquisition and madness in Spain in the XNUMXth and XNUMXth centuries.
Summary of this issue: ARTICLES *Wresting the Scriptures unto Destruction: Biblical Use and Misuse in the Celestina. Robert L. Turner III *Luisa de Padilla's Tears of Nobility: Vice, Moral Authority and the Woman Writer. Rosilie Hernández *Images of Pleasure: Goya, Ekphrasis and the Female Nude in Blasco Ibáñez's La Maja Desnuda. Katherine Murphy *Frontier
Summary of this issue: ARTICLES *The Politics of Bohemia and the Thirty Years' War on the Spanish Baroque Stage. Henry W. Sullivan *The Making of a Delinquent: Mariano Rufete in Galdós' La desheredada. Geoffrey Ribans *The 'I' as a project: Ortega and the identity of the beloved in the proem of La voz a ti due,
Summary of this issue: ARTICLES *When Spanish h– Went Silent. How Do We Know? Joel Rini *Biblical allegories of power in the theater of Tirso de Molina. Antonio Carreño-Rodríguez *A Novel Nobody: Benjamín Jarnés Responds to Unamuno and Pirandello. María T. Pao *From Auguste Comte to Émile Zola: the modernist literary theory of Manuel González